The widowed wives, surrounded by their late husbands' brothers or stepchildren, are driven by desire. This act of infidelity performed in front of the memorial portrait is filled with guilt and taboo, yet they end up allowing NTR (being taken), whispering "I'm sorry..." as they give in. Unable to resist their urges before their deceased husbands' portraits, they offer up their bodies. They find solace in the cocks of men who carry the same DNA as their late husbands, readily accepting creampie after creampie. They take pleasure in it, saying, "As long as I can believe it's you inside me, I'm happy..." This sorrowful, fleeting secret of widows' intimacy is captured in two stories starring Ueki Shoko and Kaede Kaede.